![]() ![]() She then traces back to the chorus, adding depth with stunning background harmonies. After all, if baring her true emotions can help another person, then maybe this grueling process can run a bit smoother. Gomez softly flips what she believes are her “burdensome” thoughts into a positive. She sings, “It’s hard to talk and feel heard when you always feel like a burden / Don’t wanna add to concern I know they already got / But if I pull back the curtain, then maybe someone who’s hurting / Will be a little more certain they’re not the only one lost.” In the second verse, Gomez appears to have moved into another stage of grief: acceptance and healing. Whether intentional or not, these wavering pitch changes evoke the back-and-forth battle she has with her thoughts. Her breathy tone, which has always been a tad understated, flourishes as she peddles between her head and chest voice. Though she’s cooing somber lyrics, there’s a sincere warmth here. “And all of the crashing and burning and breaking, I know now / If somеbody sees me like this, then thеy won’t feel alone now / My mind and me,” she sings. This is such a cunning, surprising stance and a departure from the fear she divulges in the first verse. However, Gomez’s thoughts seem to be her harshest critic, and she’s left on an unsteady emotional rollercoaster.Įven though she’s strapped into this bumpy ride, Gomez reveals that she wouldn’t change her experiences for anything. It seems she’s trying to give herself some grace, because there’s nothing more comforting than nurturing yourself. “My mind and me / We don’t get along sometimes and it gets hard to breathe / But I wouldn’t change my life,” she beautifully sings. The chords steadily build to the chorus, which finds Gomez confronting the darker aspects of her mental health. It can be a little intimidating being emotionally vulnerable to those that don’t truly understand you, whether that be family, complete strangers, or - in Gomez’s case - 354 million Instagram followers. “Wanna hear a part to my story? / I tried to hide in the glory / And sweep it under the table / So you would never know,” she softly coos on this heartbreaking but relatable verse. She’s frightened that those around her would view her burrowed emotions as a “show” rather than the real her. With her signature hushed voice, Gomez whispers there’s a part of herself she’s kept hidden from the world. “But now that I’ve jumped back into the studio, it’s exciting that I have more powerful things to say than ‘I’m sad.’ I feel very connected to what I’m trying to say.The weight of these emotional upheavals echoes at the beginning of “My Mind & Me,” a piano ballad. “To be honest, I had a hard time working on music in the past few years because of ‘Only Murders in the Building,’” she says of her Hulu series. Gomez also confirms she’s working on new music. “My Mind & Me” has become a part of this year’s Oscar chatter as a possible original song nominee alongside tunes by Taylor Swift, Rihanna, Lady Gaga and Joe Jonas. “I felt super connected to what I was singing and what I was saying,” she recalls. It felt like a dream session because it’s so rare for a song to come out so naturally.”Īs raw and vulnerable as the lyrics are, Gomez says recording the song was easier than she imagined it might be. Allen says, “Once we had the overarching concept of feeling at odds with your own mind, the song just kind of wrote itself. The song was written and recorded in four days in a house in Palm Springs. ![]() ![]() “I think being honest and coming from that place turns out always the best music.” “In a way, it saved me from having to talk again about all this stuff that I was feeling,” she says. Gomez says she had no hesitation about sharing her diary with the team. “Selena shared with us what parts of her life would be covered in the documentary, as well as her intimate diary entries and poems,” Pollack tells Variety. Johnson - had seen the doc before working on the track. None of Gomez’s five collaborators on the song - Amy Allen, Jon Bellion, Michael Pollack, Stefan Johnson and Jordan K. ![]()
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